Tag Archives: Ford Fusion

2012 Car Ad Review

As the curtain opens this week on 2013, it’s time for AutoAdOpolis’ annual year in review. Which carmakers and ad agencies executed outstanding efforts, which had some decent doubles and triples and which were just plain so-so?

Let’s start with the good news.

Chrysler Group scored big with its launch work for the return of the new, modern Dodge Dart. Ad agency Wieden + Kennedy in Portland, really hit it over the fence with this commercial that also debuted the tag line “New Rules”

Not only is this spot clever and witty, the art direction really catches your eye. Plus, this ad actually gives viewers a real sense of the brand.

Chrysler also gets high marks for the commercial for Fiat USA, dubbed “Immigrants” from The Richards Group. The :60 spot, which broke in the summer, hilariously depicts the next-gen 500 arriving to our shores- the hard way.

Like the Dodge spot, this is fun to watch and should put a smile on your face. It’s a perfect way to convey the car’s Italian heritage, which wasn’t the case in 2011 when Chrysler partnered with Jennifer Lopez for Fiat ads- a total disconnect that looked more like a music video for her new song than a spot for the car.

Both the Dart and 500 spots spotlight music from popular artists, a tactic preferred by Chrysler Group CMO Olivier Francois to grab viewers’ attention. The song in the Dodge ad is “No Church in the Wild” by J-Z and Kanye. The Fiat commercial pushed the new “Sexy People” single from Pitbull featuring Arianna. In neither case do the songs overpower the commercials.

Speaking of smiling, how about Volkswagen of America’s brand blitz that bowed with the :30 spot called “Smiles,” showing people of all ages laughing. There are no cars in this brilliant commercial from Deutsch in Los Angeles. It really captures the essence of the brand with the line “it’s not the miles, you how you live them.” The spot directs viewers to the whyvw.com sites, where they can post stories about their VWs or learn more about the cars from other owners and from VW.

Quite a brave move for a car marketer to not show a car in an ad, so kudos to VW’s CMO and chief product officer Tim Mahoney and his right-hand man Kevin Mayer, VP-marketing.

One of the most memorable spots that didn’t show a car was Jeep’s award-winning 1994 commercial, dubbed “Snow Covered” from the now-defunct Bozell in Southfield, Michigan.

Audi of America, which has been one of the industry’s best and most consistent advertisers in terms of creative, hits it out of the park again early in 2012 with a spot called “Ahab” for its all-wheel-drive Quattro system. The commercial spoofs Herman Melville’s epic sea captain character in search of an elusive whale with a northern tow truck operator and his frustration with never “hooking” an Audi with Quattro stuck in the snow. A very smart and entertaining execution from Venables Bell & Partners in San Francisco.

While we’re on Audi, the brand’s Super Bowl “Vampire” commercial for its LED headlights did the best among all the top 10 spots in the 2012 Big Game, ranking 7th for Most Liked, according to Nielsen consumer research the best showing for any carmaker. The commercial was certainly over the top and tapped into the nation’s current craze for vampires.

Audi also ranked highly in my 2011 review. 

It was good to see American Honda Motor Co. raising the creative bar for both its brands in the Super Bowl. The Honda CR-V commercial starred Matthew Broderick spoofing his role in the flick “Ferris Bueller’s Day Off.”

The commercial was one of the best from RPA in Santa Monica for Honda in a long time and blew away the earlier launch work for the CR-V. The spot ranked 10th Most Liked among all Super Bowl ads by Nielsen research,.

The automaker’s first-ever Super Bowl commercial for Acura was also a hit. In the Big Game, a media outlet where advertisers need to go big or be invisible, Acura met the challenge with a funny spot for the NSX starring funny men and car nuts Jerry Seinfeld and Jay Leno. USA Today’s AdMeter, based on consumer voting for their favorite Super Bowl ad on Facebook in 2012, ranked Acura’s spot number 13 and Honda’s 16.

Unfortunately, Honda and Acura’s over-the-top Super Bowl commercials weren’t enough to keep their ad agencies, RPA and sibling rp&, both in Santa Monica, out of the hot seat. Both accounts recently went into review.

Toyota Motor USA’s Lexus brand also made some inroads into improving creative with the launch of the new 2013 ES and first ES Hybrid. One of the launch commercials, dubbed “Split World” grabbed your attention with special effects and a script that made sense. Bravo to Brian Smith, VP-marketing at Lexus and kudos to Team One

Sister brand Toyota still isn’t there yet. But Toyota’s “Real Owners. Real Stories” TV commercial for the Camry, with online video assets and accompanying web site is not only well done, but is getting tons of input. Toyota figured out how to tweak a year-old site for the Camry launch and took it up a few notches

When it comes to Ford Motor Co., its Ford brand has had some of the most consistent work in the category all year. The advertising from TeamDetroit in Dearborn is visually interesting, makes relevant points and is strategic without shoving people’s faces into it.

Take this launch commercial for the 2013 Fusion. Great way to bring to life the Big Idea of standing out from rivals, which disappear.

Let’s look at Hyundai Motor America. After a pretty decent run with some of the best ads in the industry, seems too many of Hyundai’s ads are getting a bit formulaic. The brand’s Super Bowl commercials, from Innocean Worldwide Americas in Huntington Beach, California, were nothing to write home about.

There are some signs of improvement with the September launch work for the 2013 Sante Fe, themed “Don’t Tell” mom or dad

Shows there are still signs of creative life at the ad agency and at Hyundai.

I’d like to recognize Cadillac as one of the most improved auto advertisers. After a less-than-stellar appearance in the 2012 Super Bowl, General Motors’ lux brand blew out of the gates with impressive summer launch work for the new ATS compact sedan. The work, from Fallon, Minneapolis, was themed “Cadillac ATS vs. The World,” showing how the car performs on some of the ing on and some of the planet’s wildest and most challenging roads. Cadillac smartly posted lots of behind-the-scenes videos on YouTube, as well as links on Facebook and elsewhere.

Keep it up! We’d like to see all of Cadillac’s sibling brands take it up a notch also. Although there were some break-out ads for Chevrolet last year, there simply haven’t been enough of them.

Note to GM and its ad chiefs: Please take some risks!

Looking forward to seeing more break-through work from all auto advertisers in this New Year.

MAKING TRACKS: Steve Rosenblum recently started as general manager of Publicis Kaplan Thaler in Manhattan, which handles the account for the Tri State Honda Dealers Association. Rosenblum had been consulting since leaving General Motors in late 2011 after 15 years in various ad and marketing positions.

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Ford Fusion Makes Rivals “Invisible”

Ford Motor Co. will be hammering away at how darn good-looking its 2013 Ford Fusion is in the multi-media launch blitz.

The automaker isn’t off base with this strategy, since the redone midsize sedan has gotten a slew of very positive ink for its good looks – not really a staple in the segment.

“The media  launch of the Fusion will showcase how Ford is shaking up the bland midsize sedan segment,” said Jim Farley, exec VP and group VP of global marketing, sales and service. “Why do car buyers have to sacrifice styling and forward-looking design for fuel economy? They don’t.”

This isn’t the first time a carmaker  has zeroed in on styling to push a midsize sedan. Most memorably, Nissan and its ad agency , TBWA, used “Cure for the Common Car” in fall 2001 to launch the 2002 Altima. Still, styling hasn’t traditionally been the focus to advertise cars in this category.

Ford and its ad agency, WPP Group’s Team Detroit in Dearborn, hired Chinese artist Liu Bolin as a consultant for the print ads. Bolin is known around the world for painting his body and clothes to camouflage himself in photographs and he helped TeamDetroit create print ads that make competitors’ cars invisible.

This behind-the-scenes video will give you a better look at Team Detroit’s Big Idea

The look of the ads is pretty cool and the Big Idea works with the strategy without being obnoxious or naming rivals.

The new Fusion is also on the back cover of Maxim’s annual “Best Stuff of the Year issue, due Nov. 18. Ford’s Mustang is on the magazine’s cover – a nice double play. Toby Barlow, chief creative officer of Team Detroit, said the magazine approached Ford, not visa versa.

Amy Marentic, group marketing manager at Ford,  said the Fusion launch ads try to use design and technology to stand out in the crowded midsize segment. “We also knew we had to appeal to the rational side, and the most rational thing about this car is the fuel economy,” she said.

So the ads do mention MPG. The theme line in the TV spots is : It’s an entirely new idea of what a car can be.”

The agency extended the “disappearing” act of the print ads to one of its three national TV commercials, like this :30 one :

The final editing of the final two spots got delayed by Super Storm Sandy; the outfit doing the work is based in lower Manhattan. One touts “while everyone else seems to be going in the wrong direction, Ford is not just going forward, it’s going in an entirely new direction.”

But the third spot is the most dramatic. This commercial, for the Fusion Hybrid, touts the car’s “outstanding performance” and estimated 100 mpg range.  It also shows viewers the only thing the car can’t do- drive off a cliff. Yes, Team Detroit “jumped” a new Fusion in a one-take shot in Vancouver and the ad should attract eyeballs. Once it breaks, there will be a behind-the-scenes video of how the spot was made. (The car used in the stunt isn’t drivable, Barlow said).

In typical Ford fashion, this big media part of the launch came only after a major pre-launch that started digitally with a big push in July. Marentic said Farley challenged her team to encourage 300,000 consumers to build and price the new Fusion before it went on sale.

Enter “Random Acts of Fusion,” a massive social media, online video effort starring Ryan Seacrest, Joel McHale and Kate Micucci. Ford launched the push on national TV in July, along with the site RandomActsofFusion.com. The push included scavenger hunts, local events and chances to win one of 3 Fusions.

In this video, McHale and Micucci explain how they’re going to create a documentary with the 100 new Fusions they got from Secrest.

OK. Not the funniest video ever and the others are similar in tone. Still, Ford said 2 million people have visited the Random site, which tallied more than 12 million video views. Plus, the push nearly doubled Farley’s goal for online Fusion build-and-pricing by consumers, reaching more than 520,000, Marentic said.

Ford isn’t done yet for the Fusion. Coming Thursday, Nov, 15 is “Go Further with Ford Night” at local dealers, named for the brand’s new ad tag. For each person who visits a participating Ford dealer that night, the dealer will donate $10 – up to a total of $500 – to a local charity. Some 2,200 Ford dealers have already signed up to participate, Marentic said. People who register at a dealership that day will be entered into a prize drawing to win a new Fusion.

Visitors 18 and older can also try to win a VIP trip to see the popular “American Idol” TV show by testing their talent judging skills on camera. Each dealership will have a webcam to see a special message from Seacrest before they do some judging on camera. (Ford has been a long-time backer of American Idol style, which returns in January on FOX.

Ford is certainly backing the new Fusion with a major push that should build street cred and sales for the car.

MAKING TRACKS: Ford Motor’s Jim Farley, already exec VP and group VP of global marketing, sales and service for the Ford brand, adds the Lincoln brand. Farley quickly moved Matt Van Dyke from US director of marketing communications for Ford and Lincoln to director of Lincoln globally for marketing, sales and service. He’ll report to Farley. The two men have known each other since 2000 and worked together when Farley headed Toyota’s lux Lexus brand and Van Dyke was the account chief at the brand’s ad agency, TeamOne.

Kevin Koeppen, who had been manager-advertising and media, succeeds Van Dyke.

You can find me, Jean Halliday, on LinkedIn, Facebook and Forbes.com

On Twitter at jhal2001